Tuesday, August 14, 2012
Learning to write . . .
I’m 100+ pages into my next Mick Murphy Key West Mystery and, because I’m writing it darker and differently than the other book in the series, it has been a lot of fun having past incidents threaten to change characters’ character.
I’ll be at a signing this Sunday, at Fast Buck Freddie’s Pop-Up Writers event on Duval and Fleming streets, in Key West, 6 – 8 pm, so if you’re on island for any reason, stop in and say hi. The event includes other Key West writers and the once popular store is being used as a Pop-Up art gallery, so there’s a lot to see besides writers.
Often, at signings or casual meetings with fans, writers are asked a few stock questions. How do you come up with ideas? When did you decided to be a writer? (By the way, btw for you tablet freaks, writing chooses you, you don’t choose writing). How did you learn to write? So, speaking for one, we have come up with stock answers.
Since I’m writing a sequel, I’d like to dwell on the last questions. How did I learn to write? It’s a many-sided question. I know there are great writers out there that went to Harvard and other and learned to write there. Then there is a dwindling of old school writers that learned to write by being journalists, think Ernest Hemingway.
I had my feet in both ponds and I’ve often said I learned more from seasoned journalists while an office boy (not PC, but that’s what I was back then) at the Boston Record-American/Sunday Advertiser. Warren Walworth and the Gilhooley brothers taught me more about putting sentences together that would keep a reader reading than class ever came close to.
I should point out that I’m not talking about journalism today. Sadly, what existed in the ‘50s & ‘60s has all but died and it was the greatest available to a kid who flunked high school English but loved books and writing.
So, you could say, my learning to write began back at the old newspaper with guys who drank too much, smoked too much and loved their work too much.
When I left Boston, I still loved to read. Reading is the for writers, since journalism is dying. What got me to thinking about this has a lot to do with what I’m writing now, tentatively titled “Key West Latitude.” My critique group of writers doesn’t like it, but it’s a working title and I can worry about a new title when the book is finished.
When I’m writing, or well into a book, I like to read other writers that I respect for their story-telling habits. I’ll read Robert Crais, Tom Corcoran, Don Bruns, James Hall, Bob Morris, Dennis Lehane or James Lee Burke. Well, as luck would have it, Burke has a new book out, “Creole Belle.” I began it and read it carefully, enjoying his prose and dialogue, as well as his plot.
Of course, I read many other writers but don’t waste my times on writers I don’t enjoy and there are a few of them out there too. I write mysteries, as we all know, so I read in the mystery-thriller genre. I read for enjoyment but also to learn and I learn a lot from Burke and the others. I learn what works and sometimes what doesn’t work. You read Burke’s Dave Robicheaux series and even if you’re stuck in a Montana snowstorm, you find yourself swatting at imaginary mosquitoes attacking your neck! He’s that good.
How do these writers do what impresses me? That’s what I try to figure out while wondering if whatever that is will work in my writing. Sometimes yes and sometimes no. But reading has taught me to try various things that impressed me.
Crais turning his Elvis Cole books into Joe Pike books gave me the idea of opening my book in progress from Norm’s voice. The book is darker and a sequel to “Stairway to the Bottom” and, if you’ve read it, the ending leaves Mick Murphy’s changed forever. I knew how I wanted to the new book to open but couldn’t see Murphy telling the story. Because I am a fan of Crais, I’ve read all his books and thought about changing POV. It took me a while to get it straight, believable, but once I did, I was off to the races.
If you want to write, you have to read and know why you like what it is you’re reading or what makes you dislike it. The good stuff you make work in your style, the bad stuff you try to remember not to use.
"Car Wash Blues" can be pre-ordered on Amazon and will be released the end of his month.